EXCEPTIONALLY Beautiful babes of Bollywood (the Heroins)

Madhubala

   
Sadhna

HEMA MALINI        

     













Aishwarya

     Katrina Kaif

DHARMENRA the He Man and Action Hero

Dharmendra Entered in Bollywood through Talent Hun of FIlmfare…

 Dharmendra ka bada ehsan hai

 Rajkumar standard… . Amitabh Bachchan … .and Govinda.

Dharmendra has the Best Comedy Timings… Govinda was seen just when he begun replicating our Dharam… .checkout his Shola aur Shabnam and Aankhen… (same titled movies done by our Dharam) hit movies of our Dharam and got Govinda in the business with these titled movies and Dharams style of parody.

Film Pratigya has numerous entertainers in it however Dharmendra is better them all… .Jhony walker, Jagdeep, Keshto, and numerous others. 

Dharmendra The Only HE MAN and First Action Hero. … .Kutte primary tera khoon peejaonga… .and gets applauding from all in theater… 

Dharmendra couldn't do 'Zanjeer'… ? Dharmendra informed that he purchased the motion picture 'Zanjeer' (1973) from the story Salim Khan for seventeen thousand rupees. They have been living with him for quite a while. Chief Prakash Mehra wants to make 'Zanjeer' in the wake of making the film 'Samadhi' with Dharmendra. He was extremely energized for this film. So Dharmendra gave Mehra a story. When it came to realize that Dharmendra's cousin Ranjit Virk (who made the film 'Krodhi'), Dharmendra's sister tied him up. By saying that you won't do this film with Mehra on the grounds that they dismissed one of our offers. 

Dharmendra needed to leave the film 'Zanjeer' 

after under strain from this enthusiastic bond and family. While Director Prakash Mehra's first and last Choice Dharmendra was the equivalent. In the wake of declining Dharmendra, Prakash Mehra moved toward whatever is left of the time, Famous saint Dilip Kumar, Rajkumar and Devanand as well. Be that as it may, all things considered, he needed to conclude Amitabh. 

It was a hazard. Amitabh had only one motion picture hit till at that point. Be that as it may, Rajesh Khanna was credited with the achievement of Anand's prosperity. Whatever remains of Amitabh's movies were scarcely ready to perform normal.

There was another significant change when Amitabh went to the place of Dharmendra in the motion picture. In the main film, Actress Mumtaz was cast with Dharmendra. At the point when Dharmendra went, Jaya Bhaduri was cast to Mumtaz's place. 

Jay (Amitabh) came to Sholay as a result of Veeru This is the thing that Dharmendra has never said in broad daylight. Be that as it may, in the meeting he stated, "... however, now Amitabh additionally talks, at that point I tell that indeed, I got an offer. Requested that which on-screen character play this job? So I gave the name of Amit. Coincidentally, this job was going to Shatrughan Sinha. 

At the point when Shatrughan came to think about it, he said to me, "What did you do, Dad?" Then I said that he started things out and I instructed him to offer it to him (Amitabh). 

Let us quickly disclose to you this 'first came ...'. Amitabh was strident back then. So he used to state to the enormous stars that on the off chance that you have any job recall them. 

Dharmendra is discussing this At the point when Dharmendra was offered Bollywood's first multi starrer film. First it is our Dharam who was offered the Rajkumar job of Waqt… .. 

The film was 'Waqt' (1965). Yash Chopra gave Dharmendra the greatest job of three siblings in the film. Dharmendra was then new in the business. So Dharmendra approached Yash Sahab for the job of the center sibling (i.e. Sunil Dutt in the film) and gave him the Reason that in the event that I roll the more established sibling then I will begin getting elder sibling type rolls. Be that as it may, Yash Chopra Dharmendra was conceded. So Dharmendra clarifies that he additionally released this roll. These jobs were again played by the sovereign Rajkumar. 

Portraying Manmohan Desai's film 'Amar Akbar Anthony', Dharmendra said that when Desai came to me with this film then I was laboring for 16-20 hours. Since then 'Dharam Veer' and 'Chacha Bhatija' were shooting. That is the reason I instructed them to make this film with another person, I will do your next film. Desai did not say anything in regards to this, but rather his inner self was spurned. At that point our ways wound up various. 

The tricks were told without the executive of the film Dharmendra has himself made a few tricks in his movies. In 'Sholay' (1975), Dharmendra riding on steed and hopped on another man and tumbled down with it. Clarifies that when they were tumbling down with that man, at that point the steed's feet were going to go to that man. At that point Dharmendra took his pony with a full power and pulled the steed from which the steed fell on one side and that man on the opposite side. 

One day, on his mom's proposal, he sent an application to Filmfare's new ability chase with his portfolio. Actually, it had been an advert by Bimal Roy and Guru Dutt for a film and that Dharmendra visited Malerkotla to ask his portfolio done by Jaan Mohammed (John and Sons). 

Dharmendra won the Filmfare magazine's 'New Talent Hunt' grant and visited Mumbai without precedent for inquiry of work. 

For his exhibitions as a sentimental, funny and also an activity saint, Dharmendra earned the class of an adaptable legend by 1975. 

His best matching was with Hema Malini, who additionally proceeded to end up his better half. 

Dharmendra propelled both of his children in movies: Sunny Deol in Betaab and Bobby Deol in Barsaat (1995). He conjointly propelled his brother Abhay Deol.

During the shoot of Sholay, Amitabh Bachchan resembled a newcomer to Dharmendra. Notwithstanding, he built up a brilliant holding with Amitabh and furthermore the join proceeded to wind up a fresh out of the box new meaning of relationship in screenland. 

In the 1975 film 'Pratigya,' when the choreographer of the tune 'Fundamental Jat Yamla Pagla Deewana' got exhausted preparing the correct move moves, Dharmendra chose to go without anyone else and hit the dance floor with his common extraordinary style.

He showed up as a performance legend in Phool Aur Patthar (1966), which was additionally his first 'Activity Film.' The film proceeded to end up the most astounding netting film of 1966. 

Dharmendra conjointly gotten his first Filmfare designation for Best Actor for the film.

Dharmendra few Songs that I liked the most.

Dilne Phir ya kiya 

Ye Dil Deewana hai dil tow

Kuch Kehta hai ye sawan

Kya milye aise logaon se

Yeh Dil tum bin kahin

DIl Kahe rukja re rukja

Chala bhi a...a aja rasiya

Chalkayen jaam

Na jaa kahin ab na jaaa

Huwi sham unka khayal 

Main kahin kavi na ban jaoon

Are rafta rafta dekho

Jaani O Jaani

Pal Pal Dilke Paas

Jhilmil Sitaron ka aangan hoga

Aaj Mausam bada beimaan hai

Mere dushman tu meree

Dunya O Duniya

Hum bewafa hargiz na the

O meri mehbooba

Majhi Chal Majhi Chal

Jane Kya Dhoondti Rehti hain

Jeet hi lenge baazi hum tum

O main suraj hu tu meri kiran

Dekha hai teri aankhon me

Ke aaja teri yaad aye

Dekha hai zindagi ko

Dream Girl Dream Girl

Kaise jeete hain bhala

Gaadi bula rahi hai

Kalki haseen mulaqat ke liye

Tera peecha na na chodunga

Yeh shamaa jo jail roshni ke liye

Ya Dil ki suno

Tum hi pukar lo
Abhi toh hath me jaam hai

Aaya hai mujhe phir yaad wo zalim

Mujhko is raat ki tanhai me

Bollywood mixed super songs

Top Songs og Bollywood



Hawa me udta jaye

Chup chup khade ho

Mere piya gaye rangoon

Sham dhale khidki tale

Jayen to jayen kahan

Chal Diya karwan

Shame Gham Ki kasam

Ayega ayega ayega

Babuji dheere chalna

Suhani rat dhal chuki

O duniya ke rakhwale

Leke pehla pehla pyar

Kahin deep jale kahin dil

Ye nayan dare dare

Aapki nazron ne samjha

Koi lauta de mere beete hue din

Oh re taal mile nadi ke jalme

Zindagi ek safar hai suhana

Mere sapnao ki rani kab ayegi tu

Ek chatur nar

Aaj main jawaan ho gayi hun

Reshma jawan ho gayi

Ude jab jab zulfen teri

Gulabi ankhen jo teri dekdhi

Piya tu abto aaja

Nafrat ki duniya ko chor kar

Din dhal jaye haye

Kanton se kheench ke

shokhiyo me ghola jaye

Phoolon ka taro ka

Dam maro dam

Mar diya jaye ke

Aaj kal tere mere pyar ke

Yahu Yaahu

Main jat yamla pagla deewana

Aaj mausam bada beimaan hai

Kuch kehta hai yeh sawan

Bollywood Song Writers (Lyricists)

Shakeel Badayuni

Rajendra Krishan

Shalendra

Sahir Ludhianvi

Asad Bhopali

Majrooh Sultanpuri

Indeevar

Neeraj

Anjan

Anand Bakshi

Gulzar ( Last good writer of Bollywood)

Javed Akhtar ( Last good writer of Bollywood)

After them Dhinchak style songs will get....

aaah Bollywood (RIP)

Bollywood Dialogues

Bollywood Kapoor Family

Bollywood Dancing Dolls

HELEN

VAIJAYANTI MALA

ASHA PAREKH

REENA ROY

SRI DEVI

MADHURI DIXIT

People Love them dancing....

Helen is a Super Cabaret Dancer

Vaijayanti Mala and Asha Parekh both are Technical Dancers well catches the beat.

Reena Roy and Sri Devi both are Seducing Dancers

Madhuri Dixit is the Only Versatile Dancer that the Industry has ever produced.

There are other dancing heroins like, Hema Malini and Zeenat Aman but they have only Signature dance No Variety....

It is Drought time for Bollywood....in terms of Good Films, Songs and Dances....

Seek le

Koi toh seekho....

In dance reality shows ...we just see acrobatics in the name of Dance...or a type of dance looks a disable person trying to pick something from ground... so horrible and they get clapping and awards too, unfortunately.

Bollywood Music Directors

Top 10 Music Directors of Bollywood



Naushad

Oh Dubya ke Rakhwale
Pyar Kiya to Darna kya
Suhani raat dhal chuki


Madan Mohan

Mujhpe ilzam bewafai hai
Yu Hasraton ke dagh
Lag Ja Gale se phir ye

Ye Duniya Ye Mehfil
Tum jo mil gaye ho


Ghulam Mohammed

Hum tum ye bhar dekho
Zindagi dene wale sun
Mausam hai aashiqana
Chalte Chalte
Inhi Logon ne

S.D.Burman
Honton pe aisi baat
Rangeela re
Mere sapno ki rani kab
Dil pukare aare aare aare
Din dhal jaye haye

Salil Chaodhri




O.P Nayyar

 Aayye meherban
Babuji dheere chalna
Kajra muhabbat wala
Ude jab jab zulfe teri
Mera naam chin chin chu
Leke pehla pehla pyar


Ravi

Chaudhween ka chand ho
Tum agar saath dene ka
Babul ki duaen leti ja
hey neele gagan ke tale
Jab chali thandi hawa


Shanker Jaikishan

Awara hun awara hun
Sab kuch seekha humne
Baharo phool barsao
Dil ke jharoke me tujhko
Jane kahan gaye woh din



Laxmi kant Pyare Lal

Chahunga main tujhe
Jhoot bole kauwa kaate
Achcha to hum chalte hain
Darde Dil
O Meri mehbooba



R.D.Burman

Aaja aja main hu pyar tera
Dunya me logon ko
Dam maro dam
Chura liya tumne jo dilko
Phoolon ka taro ka



Khayyam

Parbaton ke pedon par
Tum chali jaogi
Tum apna ranjo gham
Film Kabhi Kabhie
Umrao jan

Mukesh the singer

Mukesh

My Favourite songs :

Zuban pe dard bhari dastan.

Mujhe Tumse kuch bhi na.

Phool ahista phenko.

Awara hoon...Awara hun.

Bade arman se rakha hai.

Chand si mehbooba ho.

Chand ki deewar na todi.

Mere humsafar mere.

Sab kuch seekha humne.

Oh mere sanam o mere sanam.

Jane kahan gaye woh din.

Husne jana idhar aa.

Mera pyar bhi tu hai.

Duniya banane wale.

Aa ab laut chalen.

O Mehbooba O Mehbooba.

O shama mujhe phoonk de.

Waqt karta jo wafa.

Tum jo hamare meet na hote.

Woh tere pyar ka gham.

Zindagi khwab hai.

Mere toote hue dil se.

Toote na dil toote na.

Ye mera deewanapan hai.

Raste ka pathar.

Main pal do pal ka shayar hun.

Darpan ko dekha tune.

Aaj tumse door hoke.

Kya khoob lagti ho.

Mehboob mere mehboob mere.

Meri tamannaon ki taqdeer

Dilip Kumar The School of Acting

Dilip Kumar ...the School of Acting

Dilip Kumar motion pictures have proceeded to wind up decent works of art of Indian Cinema. In his initial movies, Dilip Kumar mirrored the disappointment of youth in maintaining life's qualities and standards. For him, it was not the situation of "Everything is reasonable in affection and war." For him, being honorable could really compare to winning adoration by animosity or double dealing or intersection the points of confinement of affability. 

His sentimental misfortunes and longings charmed him significantly to his age and furthermore the following, which did not need any shades of dark in the jobs he played as in Amar (1954) and Qila (1998). His swashbuckling jobs in Aan and Azaad sent the message of battling underhanded with can and assurance, making careful arrangements in steps.

When he went ahead the screen, hearts lost their beat and furthermore the whole gathering of people topped lobby lit off at the principal sight of him. There is one thing entrancing concerning him, his mutterings, his stops, significant moving of eyes, wrinkled temple, motioning hands, short laughs, grinning lips, rousing discourses, heartbreaking monologs, Heathcliffian assurance, rural honesty, sentimental mien, and in this manner the face that communicates catastrophe of the brain and satisfaction of the inside.

 In 1942, Yusuf Khan (Dilip Kumar) was in prison nightlong. He declined to possess his morning meal of eggs, toast and tea, which was offered to him the following morning since that day Mahatma Gandhi was on quick. The country was occupied with the Quit India Movement of 1942, for driving out the British Raj. 

Amid ensuing 2 years life was to require astounding flip for Yusuf Khan once Devika privileged person, the woman supervisor of Bombay Talkies, offered him an agreement to act in her movies. 

Filmfare Awards 1954 'Primary Award' Best Actor Daag (1952) 1956 Filmfare Award Best Actor Azaad (1955) 1957 Filmfare Award Best Actor Devdas (1955) 1958 Filmfare Award Best Actor Naya Daur (1957) 1959 Nominated Filmfare Award Best Actor Madhumati (1958) 1961 Filmfare Award Best Actor Kohinoor (1960) 1962 Best Film Gunga Jumna (1961) 1962 delegated Filmfare Award Best Actor Gunga Jumna (1961) 1965 Filmfare Award Best Actor Leader (1964) 1967 selected Filmfare Award Best Actor Dil Diya Dardic Liya (1966) 1968 Filmfare Award Best Actor Ram Aur Shyam Dilip Kumar is famously alluded to as the ruler of catastrophe. 

The veteran performing artist has had relate perfect profession crossing six decades and about everyone inside the exchange could be a vast devotee of his. 

Dilip Kumar appears to have motivated a few ages of on-screen characters, Rajender Kumar, Amitabh Bachchan, Shah Rukh Khan being few of them. He is hitched to Saira Banu and he or she is regularly observed by his feature, supporting him, adoring him. 

Dilip Kumar has been spoken to in light of the fact that 'a definitive procedure performing artist' by Satyajit Ray. We stir you some of the lesser eminent actualities in regards to the veteran star. 

Jwar Bhata was Dilip Kumar's introduction in Bollywood. Clearly, the performer was seen by Mrs Devika nobility. Sharing the skill Dilip Kumar previously mentioned in connect meet with Filmfare, "I was acquainted with Mrs Devika Rani at the Bombay Talkies Studio by a family companion who was helping me discover a vocation. 

She had not seen me anyplace before that. She offered Maine the undertaking of partner performing artist on a compensation of Rs 1250 every month. I thought the amount offered was for a year, it being an extravagant sum. So I asked for an adherent, Dr Masani, who took me to her, to see if I had heard it right. She revealed to Dr Masani it completely was the month to month compensation because of she saw potential in Maine and neglected to need to lose Maine. 

It was an amazement and it impelled Maine to require the supply genuinely while not faltering. Throughout the decades, geniuses and film have each changed. At the point when Dilip Kumar otherwise known as Muhammad Yusuf Khan made his presentation in 1944 with Jwar Bhata, screenland would have a substitution disaster ruler! He proceeded to offer great exhibitions in movies like Andaz (1949), Aan (1952), Devdas (1955), Azaad (1955) and the epic film Mughal-e-Azam (1960). Over a measure of your time, he turned into a legend of his period. 

So standard was Dilip Kumar that each hopeful performer wished to resemble him and a lot of until date, chimp his style of acting. Beneficiary of the numerous renowned honors together with the Padma Bhushan, Dilip Kumar was moreover the best paid Hindi performing artist inside the 50's and mid 60's. 

He is accounted for to convey a Guinness record for winning the most extreme scope of honors by partner Indian on-screen character. A whiz had surely arrived.

Rajesh Khanna an Actor gave us a loving society.

 

RAJESH KHANNA & OUR SOCIETY

KAKA THE GREAT

Rajesh Khanna was an Indian actor, film producer and politician who is known for his work in Hindi cinema. He is referred to as the "first superstar" and the "original superstar" of Indian cinema.

15 consecutive solo hit films from 1969 to 1971,

to-date after 50 long years still an unbroken record and that is RAJESH KHANNA.

He won the Filmfare Award for Best Actor three times and the received the Filmfare Special Award in 1991.

Khanna has been called the “First Superstar” of Indian cinema and was the highest paid Indian actor from 1970 to 1987 whereas Amitabh Bachchan shared the same tag with Khanna from 1980 to 1987.

Rajesh Khanna was the Romancing Hero, A family Hero, His films has good message for the society that is spoiled by the Angry Young Man and gave us a society that loves Criminals (Villains of Society) and Anti Hero that spread bad message to our good society. We started showing our anger and hate and today we have reached to the dead end.

Deevar, Trishul, Don, Khoon Pasina, Hera Pheri,Jurmana,Kalia, Satte Pe Satta, Amar akbar Anthony, Hum,Shakti & Sharabi all these were top earning films (Portraying Badman character)

And How BAD we are, that not only we accepted but also loved these a lot….

Films influences us a lot. We like to follow the Hero of the film considering what he is doing is the best for our house and our society…..just think again what so called Millennium best Star has to given us…..

Bring back that life before 1973….how can we rebuild our society back to 1973 and before era, where we had no fear of any sort…..kash we can…?

Films like Aaradhna, Safar, Anand, Hathi Mere Sathi, Humshakal, Prem Kahani, Apna Desh, Dushman, Aan Milo Sajna, Doli,Qudrat, Rajpoot, the list goes on and on...portraying a good human being.

What lovely films, Family Relation, Romance, Songs, Lyrics, Music and Singers and very little fighting and no single community was targeted but only the Smugglers.Item song was done by the Dancers / Vamps and not Heroin…Heroin ware so respectful and sex exploitation, vulgarity and violence is brought by the big A or big B whatever you call him.

I request the Film makers to make films that can bring back all communities on one platform. Once again we need AZADI  (freedom) but unfortunately this time from our own people not the Foreigners. Our Bollywood  CAN DO IT FOR SURE pleeeeeeeeees do it.

Aapko 130M Indians ke liye for the sake of OUR GREAT INDIA AND INDIANS.