Followers

Saturday, November 10, 2018

Dilip Kumar The School of Acting

Dilip Kumar ...the School of Acting























Dilip Kumar motion pictures have proceeded to wind up decent works of art of Indian Cinema. In his initial movies, Dilip Kumar mirrored the disappointment of youth in maintaining life's qualities and standards. For him, it was not the situation of "Everything is reasonable in affection and war." For him, being honorable could really compare to winning adoration by animosity or double dealing or intersection the points of confinement of affability. 

His sentimental misfortunes and longings charmed him significantly to his age and furthermore the following, which did not need any shades of dark in the jobs he played as in Amar (1954) and Qila (1998). His swashbuckling jobs in Aan and Azaad sent the message of battling underhanded with can and assurance, making careful arrangements in steps.

When he went ahead the screen, hearts lost their beat and furthermore the whole gathering of people topped lobby lit off at the principal sight of him. There is one thing entrancing concerning him, his mutterings, his stops, significant moving of eyes, wrinkled temple, motioning hands, short laughs, grinning lips, rousing discourses, heartbreaking monologs, Heathcliffian assurance, rural honesty, sentimental mien, and in this manner the face that communicates catastrophe of the brain and satisfaction of the inside.

 In 1942, Yusuf Khan (Dilip Kumar) was in prison nightlong. He declined to possess his morning meal of eggs, toast and tea, which was offered to him the following morning since that day Mahatma Gandhi was on quick. The country was occupied with the Quit India Movement of 1942, for driving out the British Raj. 

Amid ensuing 2 years life was to require astounding flip for Yusuf Khan once Devika privileged person, the woman supervisor of Bombay Talkies, offered him an agreement to act in her movies. 

Filmfare Awards 1954 'Primary Award' Best Actor Daag (1952) 1956 Filmfare Award Best Actor Azaad (1955) 1957 Filmfare Award Best Actor Devdas (1955) 1958 Filmfare Award Best Actor Naya Daur (1957) 1959 Nominated Filmfare Award Best Actor Madhumati (1958) 1961 Filmfare Award Best Actor Kohinoor (1960) 1962 Best Film Gunga Jumna (1961) 1962 delegated Filmfare Award Best Actor Gunga Jumna (1961) 1965 Filmfare Award Best Actor Leader (1964) 1967 selected Filmfare Award Best Actor Dil Diya Dardic Liya (1966) 1968 Filmfare Award Best Actor Ram Aur Shyam Dilip Kumar is famously alluded to as the ruler of catastrophe. 

The veteran performing artist has had relate perfect profession crossing six decades and about everyone inside the exchange could be a vast devotee of his. 

Dilip Kumar appears to have motivated a few ages of on-screen characters, Rajender Kumar, Amitabh Bachchan, Shah Rukh Khan being few of them. He is hitched to Saira Banu and he or she is regularly observed by his feature, supporting him, adoring him. 

Dilip Kumar has been spoken to in light of the fact that 'a definitive procedure performing artist' by Satyajit Ray. We stir you some of the lesser eminent actualities in regards to the veteran star. 

Jwar Bhata was Dilip Kumar's introduction in Bollywood. Clearly, the performer was seen by Mrs Devika nobility. Sharing the skill Dilip Kumar previously mentioned in connect meet with Filmfare, "I was acquainted with Mrs Devika Rani at the Bombay Talkies Studio by a family companion who was helping me discover a vocation. 

She had not seen me anyplace before that. She offered Maine the undertaking of partner performing artist on a compensation of Rs 1250 every month. I thought the amount offered was for a year, it being an extravagant sum. So I asked for an adherent, Dr Masani, who took me to her, to see if I had heard it right. She revealed to Dr Masani it completely was the month to month compensation because of she saw potential in Maine and neglected to need to lose Maine. 

It was an amazement and it impelled Maine to require the supply genuinely while not faltering. Throughout the decades, geniuses and film have each changed. At the point when Dilip Kumar otherwise known as Muhammad Yusuf Khan made his presentation in 1944 with Jwar Bhata, screenland would have a substitution disaster ruler! He proceeded to offer great exhibitions in movies like Andaz (1949), Aan (1952), Devdas (1955), Azaad (1955) and the epic film Mughal-e-Azam (1960). Over a measure of your time, he turned into a legend of his period. 

So standard was Dilip Kumar that each hopeful performer wished to resemble him and a lot of until date, chimp his style of acting. Beneficiary of the numerous renowned honors together with the Padma Bhushan, Dilip Kumar was moreover the best paid Hindi performing artist inside the 50's and mid 60's. 


He is accounted for to convey a Guinness record for winning the most extreme scope of honors by partner Indian on-screen character. A whiz had surely arrived.










Rajesh Khanna an Actor gave us a loving society.

 

RAJESH KHANNA & OUR SOCIETY


KAKA THE GREAT

Rajesh Khanna was an Indian actor, film producer and politician who is known for his work in Hindi cinema. He is referred to as the "first superstar" and the "original superstar" of Indian cinema.

15 consecutive solo hit films from 1969 to 1971,
to-date after 50 long years still an unbroken record and that is RAJESH KHANNA.

He won the Filmfare Award for Best Actor three times and the received the Filmfare Special Award in 1991.

Khanna has been called the “First Superstar” of Indian cinema and was the highest paid Indian actor from 1970 to 1987 whereas Amitabh Bachchan shared the same tag with Khanna from 1980 to 1987.

Rajesh Khanna was the Romancing Hero, A family Hero, His films has good message for the society that is spoiled by the Angry Young Man and gave us a society that loves Criminals (Villains of Society) and Anti Hero that spread bad message to our good society. We started showing our anger and hate and today we have reached to the dead end.

Deevar, Trishul, Don, Khoon Pasina, Hera Pheri,Jurmana,Kalia, Satte Pe Satta, Amar akbar Anthony, Hum,Shakti & Sharabi all these were top earning films (Portraying Badman character)

And How BAD we are, that not only we accepted but also loved these a lot….

Films influences us a lot. We like to follow the Hero of the film considering what he is doing is the best for our house and our society…..just think again what so called Millennium best Star has to given us…..

Bring back that life before 1973….how can we rebuild our society back to 1973 and before era, where we had no fear of any sort…..kash we can…?

Films like Aaradhna, Safar, Anand, Hathi Mere Sathi, Humshakal, Prem Kahani, Apna Desh, Dushman, Aan Milo Sajna, Doli,Qudrat, Rajpoot, the list goes on and on...portraying a good human being.

What lovely films, Family Relation, Romance, Songs, Lyrics, Music and Singers and very little fighting and no single community was targeted but only the Smugglers.Item song was done by the Dancers / Vamps and not Heroin…Heroin ware so respectful and sex exploitation, vulgarity and violence is brought by the big A or big B whatever you call him.

I request the Film makers to make films that can bring back all communities on one platform. Once again we need AZADI  (freedom) but unfortunately this time from our own people not the Foreigners. Our Bollywood  CAN DO IT FOR SURE pleeeeeeeeees do it.

Aapko 130M Indians ke liye for the sake of OUR GREAT INDIA AND INDIANS.

Sunday, November 4, 2018

My Favourite Actors and their Specialities

My Favourite Actors 


DHARMENDRA


Top of the list is My Dharmendra....since my childhood my most favourite is Dharmendra and will remain for ever. First I saw him in I Milan Ki Bela , he was having negative role still a child of 5 years liked him so much that from next day he was styling his hair like Dharmendra.



SHAMMI KAPOOR

DILIP KUMAR

RAJESH KHANNA

VINOD KHANNA

SHASHI KAPOOR

MITHUN

SANJAY DUTT

SUNNY DEOL

GULLU BADMAN


JOHNY LEVER

KADER KHAN

SHAKTI KAPOOR

PRAN

ASHOK KUMAR

KANHAIYA LAL

OM PRAKASH

SHAHRUKH KHAN









HEROIN


MEENA KUMARI

SADHNA

SHARMILA TAGORE

AASHA PAREKH

HEMA MALINI

MADHURI DIXIT

KATRINA KAIF















The Versatile Singer Ashaji


Ashaji...hum sabki aasha...


Ashaji ke zyada duets hai...solo kam hai aur sare superb hain...

Rafi sab ke sath Kishore da ke sath...unforgettable songs hain



My Favorite top solo songs....



Aayye meherban

Tora man darpan kahlaye

Jhumka gira re

Awo huzur tumko

Jab chali thandi hawa

Parde me rehne do

Piya tu abto aaja

Jawani jane man

Kaun aya ke nigahun me

Chehre pe khushi

Saiyyan legayee piya

Bhanwara bada nadan hai

In aankhaon ki masti ke

Dam maro dammmm

Khatuba Khattuba owo woo

Uljhan suljhe na

Ye mera dil yarka diwana

Ye kya jagah hai dosto

Jaiyye aap kahan jayenge

Reshmi ujala hai makhmali

Ye hai reshmi zulfaon ka 

Husnke lakhaon rang

Bheega badan jalne laga

Sajna hai mujhe sajna ke liye

Raat akeli hai

Simply a versatile singer...can sing of any mood.










The Supreme Voice Lataji



Lataji (Lata Mangeshkar)  




Jab Lataji gati hain charo ore JalTarang baj uthte hain....aapke kan kuch aur sunna nahi chahte,,,bas 


Lataji gati jayen aur aap Gum hojayen...



  • Aapki nazraon ne samjha pyar ke qabil mujhe...

  • O basanti pawan pagal na ja re na ja roko koeeee

  • Na jaaa o mere hamdam

  • Aajare a a  pardesi

  • Lagja gale se phir ye

  • Aap mujhe achche lagne lage

  • Jab bhi ji chaha nayee dunya

  • O mere sanam O mere Sanam

  • Aayega Aayega Aayega

  • Chalo sajna jahan tak

  • Na koi umang hai

  • Khilte hai gul yahan

  • Jane kyun log mohabbat

  • Be dardi Balma tujhko

  • Jis Path pe chala

  • Babul pyare a a a 

  • Unse mili nazar 

  • Mere jeevan sathi kali thi main to pyasi

  • Rukja raat taher ja ri chanda

  • Mausam hai aashiqana

  • Chalte Chalte

  • Ye sham ki tanhaiya
the list is very long....just few from my favourites hope you like them all.... 


Ek waqt tha jab Cabaret Dance ( Item Number) jo ke almost Helen ke hi hote the...aur unke liye Aasha ji was fixed....

Lekin kam log jante hain ke Lataji ne bhi ek Cabaret song gaya hai....any guess....

Film Inteqam - song was - Aaaaaaa Jane Jaan...yahan bhi jhande gad diye....

Aajkal koi bhi kisi ka mazaq uda deta hai....aur aajke log usko bahot enjoy bhi karte hain....

Lataji jinse bade bade producers, directors, Music Directors dosre singers sab darte the (Most Respected maante the) Lataji ka bhi mazaq....height of stupidity is displayed by strugglers to get some work...this is very bad.

Jo geet maine uper likhe unke jaisa koi ga kar dikhade....impossible...i dont think we will ever get such Great Voice....ever after.
















Our Own KISHORE KUMAR


 

Our Own KISHORE KUMAR


BUM BUM NACHE KISHOR KUMARAM



KISHORE KUMAR THE MOST FAVOURITE SINGER OF INDIA


everyone try imitating his voice and sings his songs...

He is the singer of all age and gender..the one and only Kishore Da.

for me it is very very difficult to enlist my favourite top 20 songs...I like his 1000s of songs so ...just impossible, but to name a few at this point of time and mood is....



  1. Kehna Hai Kehna Hai
  2. Mere Dil Ne Tadap Kar Jab Nam Tera Pukara
  3. Phoolaon Ka Taraon ka
  4. Hum Bewafa Hargiz Na The
  5. Pal Pal Dil Ke Paas
  6. Ye Sham Mastani
  7. Zaroorat Hai Zaroorat Hai
  8. Badi Suni Suni Hai 
  9. Oh Hansani Kahan Ud Chali
  10. Ye Jeevan Hai Iss Jeevan Ka

  1. Aadmi Jo Kehta Hai

  1. Kitne Atal The Tere Irade
  2. Jab Koi Bat Bigad Jaye
  3. O Mere Dil ke Chayen
  4. Meri Bheegi Bheegi si
  5. Aane Wala Pal Jane Wala Hai
  6. Agar Tum Na Hote
  7. Jeevan Ke Safar Me Rahi
  8. Koi Lautade Mere Beete Hue Din
  9. Tum Bin Jaon Kahan
  10. Zindagi Ek Safar Hai Suhana
Just solo songs there are 1000s of duets with ashaji and lataji...












The Unforgettable RAFI SAHAB

Rafi Sab - The Greatest Singer of All Time



Sweetest Songs of Rafi Sab

  • Haye Tabassum Tera
  • Jaag Dile Diwana Rut jagi
  • Aapse Pyar Hua 
  • Ye Mera Prem Patra
  • Shikar Karne Ko Aaye
  • Abhi Na Jao Chorkar
  • Din Hai Ye Bahar Ke Phool Chunle Pyarke
  • Aayee Baharaon Ki Shaam
  • Main Ek Raja Hun
  • Maine Rakhkha hai Muhabbat
  • Kahi Bekhayal Hoker
  • Likhe Jo Khat Tujhe
  • Majhi Chal O Majhi Chal
  • Tum Bin Jawon Kahan
  • Rukhse Zara Nakhab Uthado
  • Ek Haseen Shamko Dilmera
  • Tu Kahan Ye Bata 
  • Main Gawon Tum Sojao

Just listen to these songs... feel the sweetness of his voice you wont find this in any singer.


Lovely Sad Songs of Rafi sab

  • Din Dhal Jaye Haye
  • Suhani Raat Dhal Chuki
  • Toote Huwe Khwabaon Ne
  • Chahunga Main Tujhe
  • Teri Galiyaon Me Na Rakhenge
  • Kal Raat Zindagi Se
  • Maine Peena Seekh liya
  • Wo Tum Na Thi Wo Hum Na The
  • Bade Bewafa Hai Ye
  • Dilne Pyar Kiya Hai Ek Befaa
  • Dilke Jharaonke Me
  • Paedesiyon Se Na Ankhyan 
  • Janam Janam Ka Sath Hai Nibhane Ko
  • Jo Unki Tamanna Hai
  • Tum Mujhe Yun


Lata Mangeshkar, His up and coming has aforementioned that "Rafi bhaiya wasn't exclusively India`s Greatest Playback Singer anyway conjointly an impeccable Person" which " He was one artist whose Vocal Range may subordinate the other artist" regardless of whether it had been Lata, Asha, Mannada or Kishore bhaiya'. 

In 1948 once the death of Mohandas Karamchand Gandhi, the group of Husanlal Bhagatram – Rajendra Krishan – Rafi had medium-term made the tune "Suno Ae Dunya Walon Bapuji Ki Amar Kahani" Rafi sab was welcomed by the Indian Prime Minister, Jawaharlal Nehru, to sing at his home in 1948, Rafi sab got a Silver Medal for Jawaharlal Nehru on Indian Independence Day. 

At the point when maker executive Manmohan Desai (who was a major aficionado of Rafi Sab) and utilized him in various hit films, was solicited to depict the voice from Rafi Sab, he commented that "in the event that anybody has the Voice of God, it is Mohammad Rafi". 

Rafi Sab made a rebound as the main vocalist in mid-1970 he won the Film World magazine Best Singer Award for the tune "Teree Galiyon Mein Na Rakhenge Qadam Aajke Baad" (Hawas,1974) made by Usha Khanna. In 1976, Rafi Sab sang every one of the tunes for Rishi Kapoor in the hit film Laila Majnu, Rafi Sab continued sing a lot more tunes for rishi Kapoor in the resulting hit films, including Hum Kisise Kum Nahi , Amar Akbar Anthony,Sargam, He WON both, National Award and Filmfare Award for the melody "Kya Hua Tera Wada" made by R.D>Burman. 
He was nominative in light of the fact that the best vocalist at the Filmfare Awards for the qawwali " Pardah Hai Parda" from Amar Akbar Anthony. Rafi Sab sang for some effective movies in the late 1970s and the mid 1980s a significant number of those hit melodies were ruled the graphs in the late 70s on radio projects, for example, Vividh Bharti, Binaca Geetmala and Radio Ceylone. 
A portion of these incorporate Bairaag, Dharamveer, Saugandh, Suhaag, Sargam, Qurbani, Dostana, Karz, The Burning Train,Abdullah, Shaan, Aasha,Aap to Aise Na the, Naseeb and Zamane Ko Dikhana Hai. In 1978, Rafi Sab gave an execution at the Royal Albert Hall and in 1980 he performed at the Wembley meeting focus. From 1070 until the point that his demise he visited far and wide broadly giving show exhibitions to pressed corridors. Mohammad Rafi was an Indian Playback Singer and generally consider to be one of the Greatest and most compelling artists of the Indian subcontinent. 

Rafi Sab was remarkable for his voice, adaptability and range; his tunes were shifted from quick, enthusiastic numbers to energetic melodies, tragic numbers to exceptionally sentimental tunes, qawwalis to ghazals and bhajans to established tunes. He was known for his capacity to Mold his Voice to the persona and style of Actor, lip-matching up the melody on screen in the motion pictures. 

He gotten Six Filmfare Awards and one National film Award. Rafi Sab was well judge by the jury and granted the Best Millennium Singer Award to him by Hero Honda and Stardust Magazine. 
Rafi Sab was voted in favor of the Greatest Voice in Hindi Cinema in the CNN-IBN`s survey. He has recorded melodies for over k Hindi movies and has sung tunes in various local Indian dialects moreover as outside dialects, however basically in Hindi-Urdu and Punjabi over which he had a solid order. 

He has recorded the same number of as 7400+ tunes in numerous dialects. He has sung in numerous local Indian dialects including, Konkani, Assemese, Bhojpuri, Odia, Punjabi, Bengali, Sindhi, Kannada, Gujrati, Tamil, Telugu, Magahi, Maithili, Apart from Indian dialects, he likewise sang tunes in numerous remote dialects including, English, Farsi, Sinhalese, Creole and Dutch. Grants : National Award for ....................Kya Hua Tera Wada Babul ki Duayen Letija Filmfare Awards Total Six (6) 

Honourary In 1948 Rafi Sab got a Sliver Medal from the India Prime Minister the Jawaharlal Nehru, Padma Shri by Government of India Rafi Sab was respected the BEST SINGER OF THE MILLENNIUM by Hero Honda and Stardust Magazine. Rafi Sab won the CNN-IBN survey for the Greatest Voice in Hindi CInema.


A wonder Writer Director Rajkumar Hirani

RAJKUMAR HIRANI


A Brain ....truly a Brain... that can see bacteria size detailing of the script and uses to its fullest. He is Master of Script writing.The industry is thankful to him for his great work that fetched millions of rupees. We film goer pay thanks to him for giving us such Great Films that has best repeat value.

One request Sir...Please make few movies that can uplift the morale of our people who have been isolated (andhkar me dhakel diya dharam ke nam par...unhe wapas bulana hai as Normal Hindustani)by our Political Parties. Ye desh sadyaon aapka ehsan nahi bhoolega.



First Film as Writer Director Munnabhai MBBS and a short time later Rajkumar Hirani's underlying directorial adventure was Munnabhai MBBS (2003), prima Sanjay Dutt, that is considered a faction exemplary. It skint every regular tradition identified with film industry films. 
Made on a financial plan of ₹55 million, it was an immense hit worldwide and took a merchant offer of ₹25 million from the Indian market. 

His second directorial exertion was the 2006 Lage Raho Munnabhai, which had a solid social effect in India, advancing Gandhism under Munna Bhai's thought of Gandhigiri. The film won far reaching essential praise from faultfinders and had assortment of remarkable screenings. 

His third film was the parody three Idiots, featuring Aamir Khan It was free on twenty five December 2009 and was generally welcomed by the faultfinders. It turned into the best grosser in Indian film, breaking all records crosswise over Indian and abroad markets. 

The film was later changed in various dialects. His fourth film was the outsider satiric dramatization PK, which featured Aamir Khan, Saurabh Shukla and Anushka Sharma and Sanjay Dutt in the number one spot jobs. It was discharged on 19 December 2014, broke existing records in India and turned into the most elevated earning Indian film, gathering over Rs.500 crore at the crate office.PK was the main Indian film to net more than ₹7 billion and US$100 million around the world. 

Hirani's fifth film was Sanju, a biopic on Sanjay Dutt, with Ranbir Kapoor playing Dutt's role.Hirani and his co-author Abhijat Joshi composed the screenplay.

The film discharged on 29 June 2018. It got regularly positive audits from commentators, however was reprimanded for its alleged picture purifying of its hero. Sanju wound up one in all the best-earning motion pictures of year 2018 and moreover one in all the most astounding netting Indian movies. 

Filmography 

Director Writer Producer Editor 

2000 Mission Kashmir 
2003 Munna Bhai M.B.B.S 
2006 Lage Raho Munna Bhai 
2009 3 Idiots 
2014 PK 
2016 Saala Khadoos  
2018 Sanju Yes




The Great Director SUBHASH GHAI

Subhash Ghai  The Show Man 
(one man Army)

Actor - Director - Writer - Producer - Screenplay - Dialogues writer & Editor.




The TOP director of Hindi Cinema. It is he, who have taught the world, what Film Direction is all about. What is Punches and how and where to use it with perfection.




From Kalicharan to Pardes made many great films that bollywood can never forget his writing and direction and casting the Right Crew Ajeet as Lion, Pran as Kabeera, Simmi as Rani saheba, Badman Gullu the kesarya vilayeti, Raza murad as Sir john,Sanjay dutt as Khalnaik, Guru Bakhsh and abu baba the Shammi Kapoor and Sanjeev kumar, Amrish puri the Jagavar seth, Ganga the Mahima Chaudhri the list is very long....




Anyways Subhash Ghai in Kalicharan the very first film as writer director has showed what potentail he has......remember when Shatru says...




inn masoom bachchaon ki kasam I.G sahab ab main dekh lunga kon hai NO17.....khushi aur josh se mere sare badan par kante aagaye...waah and the Interval...




Maar Pratab Maar




main likhne baithu to ye life kam hai inke bare me likhne...bass yu samajhlo Ye as Writer Director Shahinshaon ke Shahinsha hain...one and only one....NO COMPETITOR the best ever for the last and coming Millenniums he will remain at the TOP...forever.


Pardes ye film ek monument hai it shares the same rank as of  Mughle Azam and Pakeeza.
I remember the Award NIght and my Subhash Ghai feelings....oh Border was getting every award against Pardes even the Director award too....mere sath zaroor inko bhi sadma hua phir inhone film direct nahi ki. shayad isiliye. Bhains ke aage been bajana kay matlab...!!

mae gaya tha ek bar ek film ki story sunane ye office ke bahar baithe the mae pahuncha inko dekha and main samajh gaya ke inko story sunana kya ek lafz bhi na bol paonga....ulte paon wapas.
what a personality itne bade shakhsiyat..Long Live Subhash Ghai.


Subhash Ghai is Associate in Nursing Indian filmmaker, producer and scriptwriter, better-known for his works preponderantly in Hindi cinema.


His most notable works include 'Kalicharan', 'Vishwanath', Karz, Hero, Meri Jung, Karma, Ram Lakhan, Saudagar, Khalnayak, Pardes, Taal, and Black & White.


The impresario of film industry, Subhash Ghai is one in every of the foremost prolific film administrators and producers in Hindi cinema.


An graduate of the celebrated Film and tv Institute of Republic of India, Subhash Ghai in his illustrious career has delivered a number of the largest hits in film industry as well as Karz (1980),MerI Jung (1985), Karma (1986), Saudagar (1991), Trimurti (1995), Pardes (1997), and Taal (1999).


the actor-turned-director created his directorial debut with Kalicharan in 1976.


Apart from a being a well-liked and one in every of the foremost productive administrators, Subhash has additionally made many films, as well as the National Award winner, Iqbal.


The multitalented veteran's contribution to Indian cinema goes on the far side his work on and off the screen, his film school named Whistling Woods International Film and Media Institution, which is located in Mumbai, nurtures the aspiring young talent and facilitate them establish a career within